- The new edition of The Quarterly Conversation is out and includes pieces on Czech writer Bohumil Hrabal, frequently cited but rarely read author Stéphane Mallarmé, and a review of Mexican sensation, Valeria Luiselli's latest book with the fascinating title of The Story of My Teeth.
- Mental Floss article on what they call the "latest trend": Twitter Fiction. Mmmmm I'm skeptical...it's out there, no question. But a trend? Nah. More like a flash in the pan, I'd say.
- Adam Gopnik asks: Why do we keep studying the Holocaust? "Do we really need one more book on the Holocaust? The facts are in and clear...while so many other horrors demand our historical understanding and get so much less: how many new books have been published this year on the Belgian genocide in the Congo? Doesn't endlessly retelling the same story ... let us give ourselves the appearance of moral seriousness while immunizing us to the urgencies of actual moral seriousness? Piety is the opposite of compassion, which is better directed toward those who need it now than those who were denied it then."
- The Millions asks: "Why do we care about literary awards?" The writer doesn't really explore the question in much detail though it is an important question and one we ask ourselves around our offices a lot. The answer: it's less about "literary merit" and more about marketing, communications and selling a book/writer/event to the public and the media. Literary quality is part of it, no question. But it's only one factor in deciding who to give an award to.
- Want to write reviews on culture, literature, art, music? 3AM is looking for writers.
Showing posts with label The Quarterly Conversation. Show all posts
Showing posts with label The Quarterly Conversation. Show all posts
Wednesday, September 16, 2015
Stéphane Mallarmé: often cited, rarely read; Valeria Luiselli's teeth, Twitter fiction; another Holocaust book; write for 3am magazine: Cultural Digest for September 16
Labels:
3am Magazine,
Adam Gopnik,
Holocaust,
Holocaust literature,
The Quarterly Conversation,
Twitter,
Valeria Luiselli
Tuesday, March 5, 2013
Czeslaw Milosz and the pleasures of reading...
The other day I came across this Paris Review interview from a number of years back with the Polish writer, Czeslaw Milosz. This led me back into an orgy of Milosz reading over the weekend which has been so wonderful this cold dead season.
I have read Milosz nearly my entire adult life. He's one of those writers whose work I read consistently, re-reading certain key books, holding certain poems in my memory.
I recall getting up early every morning and riding my bike to the Shanghai Public Library, spending all morning in a really beautiful English-language reading room surrounded by huge towering trees in the old French concession of the city. I would read his Collected Poems (the library had a small but very impressive collection of contemporary poetry) three or four mornings a week (at the time, one wasn't able to check out books in English, only read them in this almost invariably empty reading room) before I'd head over to where I was working. I don't know why but his words had such importance for me at that time in my life and I still have certain passages memorized from his collection Bells in Winter.
When my friend Sarah and her husband visited me in China, I asked them to bring me a copy of his New and Collected Poems which had just come out at the time, a huge tome that is heavy and unwieldy though, despite this, the book has been with me everywhere (from Paris to Hong Kong to Argentina) and I've read and re-read its poems many many times.
Later, I read The Captive Mind (which though still interesting feels quite dated in all its Cold War rhetoric) and his really lovely memoir The Issa Valley, about growing up in a dull forgotten and provincial part of Europe that has vanished forever. It was through reading To Begin Where I Am, an excellent varied collection of essays (from the history of Vilnius to the work of the American poet Robinson Jeffers to living in Berkeley, to Dostoevsky) that I discovered Tomas Venclova, another writer whose work I've come to admire through the years (I just missed him by a day when I was in Berlin last year...). I also came to know the work of the Polish writer, Adam Zagajewski through an essay he wrote on Milosz.
All this to say that on Sunday, when I saw the new issue of The Quarterly Conversation, the article there about Milosz's relationship with California (where he was a professor for many years) felt like the perfect coda for my weekend.
People who don't read books miss one of the truly great pleasures in life.
I have read Milosz nearly my entire adult life. He's one of those writers whose work I read consistently, re-reading certain key books, holding certain poems in my memory.
![]() |
| The Shanghai Public Library |
When my friend Sarah and her husband visited me in China, I asked them to bring me a copy of his New and Collected Poems which had just come out at the time, a huge tome that is heavy and unwieldy though, despite this, the book has been with me everywhere (from Paris to Hong Kong to Argentina) and I've read and re-read its poems many many times.
Later, I read The Captive Mind (which though still interesting feels quite dated in all its Cold War rhetoric) and his really lovely memoir The Issa Valley, about growing up in a dull forgotten and provincial part of Europe that has vanished forever. It was through reading To Begin Where I Am, an excellent varied collection of essays (from the history of Vilnius to the work of the American poet Robinson Jeffers to living in Berkeley, to Dostoevsky) that I discovered Tomas Venclova, another writer whose work I've come to admire through the years (I just missed him by a day when I was in Berlin last year...). I also came to know the work of the Polish writer, Adam Zagajewski through an essay he wrote on Milosz.
All this to say that on Sunday, when I saw the new issue of The Quarterly Conversation, the article there about Milosz's relationship with California (where he was a professor for many years) felt like the perfect coda for my weekend.
People who don't read books miss one of the truly great pleasures in life.
Labels:
Czeslaw Milosz,
Lithuania,
Polish literature,
Robinson Jeffers,
The Quarterly Conversation,
Tomas Venclova
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