Showing posts with label Mary Oliver. Show all posts
Showing posts with label Mary Oliver. Show all posts

Wednesday, November 4, 2015

Women Directors and Women in the arts, a Turin stroll in the footsteps of Nietzche, Gouin's amazing houses, On Being with Krista Tippet: Cultural Digest November 4


  • When one considers that women are highly under-represented in the arts, articles like this are very important: A Hundred Women Directors that Hollywood Should Hire. This is always such a hot topic: women in the arts. A huge proportion of women working in the arts are women: marketing people, Festival people, fundraisers, etc. Yet sometimes I have to consciously make the decision to read something by a woman as most "literary" writers are still men. Not all by any means, but if one just read what came across one's desk, it would be easy to read books by only men. And this is one thing I think we do well at Blue Met: create events with, give prizes to, promote the writing of women. 
  • A Turin stroll in the foosteps of Nietzche. I may take this stroll in the spring as I think I may try and go to the Turin Book Festival in May to meet various people. I've spent a good deal of time in Italy the last 18 months and I will again in 2016 but I've never been to Turin...I love exploring new places that are linked to literature in this way. After reading the article above, I was surprised at how Nietzche died...
  • Beautiful historical houses in Montreal along boulevard Gouin. This is an area of Montreal I don't know well but the houses sure look beautiful. Or did. (The link's story is in French).
  • I've been listening to this show on the radio (well, online) lately: it's fantastic. It can get a bit touchie-feelie on the corresponding blog (something I rarely appreciate) but the show itself with Krista Tippett is incredibly smart and thought-provoking. Some recent shows include Jonathan Sacks, the former Chief Rabbi of Great Britain on The Dignity of Difference and another recent show on the work of American poet Mary Oliver.
Jonathan Sacks: On Being

Tuesday, November 3, 2015

Fall Reading and Why it's such a challenge.

So hard to find the time to blog this time of year. Lots of events each night: readings, discussions, interviews, cocktails, going away parties, welcome to Montreal parties.

I always find the middle of autumn the hardest time of year to read. Since I've been doing this Festival for five years now (six festivals in total including the next one), I get into this "reading rhythm": I read all summer and well into September. Then in early October, time just seems to speed up and I go from 6am until 11pm every day with work stuff.

Last night three events (I made one, made an appearance at another and had to bag out of the other
one). Tonight two events. Tomorrow two events, etc until early December it will be this way.

No, I don't go to every event but I go to at least 2-3 a week. Which is a lot!

I still read at this time of year but I have to squeeze it in here and there, on the subway, waiting in line, on the weekends.

And I do manage to read, just not nearly as much as I usually do. I need to read: this is the time of year I am reading Festival authors and planning events.

Once Christmas is here, I read a lot and well into January. Then I start reading non-Festival authors after that until the Festival (I don't want to read a book by an author coming and then realize I've missed something interesting about their work, something I could have planned an event around).

From January until April I read books of interest but I am so worn out at the end of each day that even then I read much less than usual. Some evenings on the metro going home, all I have the energy for is staring into space.

After the Festival, I swear I'm going to take a vacation from reading, go 2-3 weeks without reading anything. This lasts about two days and once spring is here, I'm back to reading like mad until the autumn again.

Lately I've been reading:

Will Aitken's Realia. It's too bad Will isn't better known as a novelist because his books are so interesting. And funny. This one is set in Japan in 1980s and tells the story of an Albertan woman trying to find her place there.

Neil Smith's Boo. Odd little book. I'm enjoying it but I can't help but wonder if this was Smith's idea of "riffing" off Alice Sebold's The Lovely Bones. It's funnier than that book, much much funnier, and, in fact, it's a much better book, about a boy who's died and is telling his parents about life in heaven. (I've only reached about 1/3 of the way through it so that's the story so far).

Mary Oliver's Felicity. I love these poems. They are so simple and short but on the third or fourth reading, they suddenly open up and their complexity blasts you in the face.

Joseph Roth's The Hotel Years. I am a huge fan of Roth and I read one or two stories from this each night before I sleep. The little stories, newspaper articles that Roth wrote between the wars as he traveled from one European city to another, predict the calamities that waited for Germany, France, the future Eastern Bloc. But the power in these vignettes reside in the small moments: the angry German youth, the Jewish peddler, the prostitute. They are such humane and beautiful little snapshots of life.

That sounds like a lot but when you figure I can usually only find an hour or so total to read this time of year, it'll take me a while to get through the above books.

Plus I'm on a jury now and I just got a new library of five short-listed books that I have to read by the end of this month. More about that later.

I don't have any kids. How people with kids while working full time ever manage to get any reading done is a miracle.










Monday, October 19, 2015

Nothing Is Too Small Not To Be Wondered About by Mary Oliver

Nothing Is Too Small Not To Be Wondered About

The cricket doesn't wonder
     if there's a heaven
or, if there is, if there's room for him.

It's fall. Romance is over. Still, he sings.
If we can, he enters a house
     through the tiniest crack under the door.
Then the house grows colder.

He sings slower and slower.
     Then, nothing.

This must mean something, I don't know what.
     But certainly it doesn't mean
he hasn't been an excellent cricket
     all his life.

                                     - Mary Oliver, from her collection Felicity